INDIGO DREAMS PUBLISHING LTD

 

Poetry

 

138 x 216mm

 

68 pages

 

£10.00 + P&P UK

 

ISBN 978-1-912876-34-1

 

PUB: 06/11/2020

 

 

ORDER HERE

 

 

 

 

 

 

Bone House

 

Kathy Miles

 

 

 

 

Bān-hūs;  'a charnel house;  the human body'. 'Bone House' explores our physical relationship not only with the earth, but with what lies beneath it; that 'shamble of rubble and forgotten time' where our history and memories are buried.

 

As we walk the land we learn to read and interpret it, to listen to its sounds, and re-connect with it through music, language and the ancient words and traditions of the past.

 

 

 

 

 

Bone House  

 

Peel back the ground, delve into rich horizons,

the turf a wiry pelt between your fingers.

 

Underneath, the tree roots' muscle, smooth skulls

of stone where eyes of soil lie hidden in the hollows.

 

Dig deeper down; learn that a man once carved

a ladle from a fallen oak, forged an arrow carefully

 

in the flames, or shouldered forests on his back

to form these splintered timbers into home.

 

Below these contoured meadows is a midden;

a shamble of rubble and forgotten time,

 

where delicate gills of flesh petal back

into the living body of the earth

 

and whitening bones of vole and rabbit

shine like scattered stars among the thistle.

 

In the field, a kindle of hares, dancing

in tangles of sedge and heather.

 

A murmur of lacewing in brittle reeds,

the skim of wind on water, ruffling the surface

 

with its sudden gust. And here, too, the scars

of buried weather, marks of old flood etched

 

on scarp or heath, our memory hefted

by the river's surge as we are winnowed

 

from our place, drawn to the litany of landscape

and the long slow dissipate of years.

 

 

Shepherding

 

Last night the angels gathered on the hill,

leaning into the wind like angled pines.

My father tried to herd them, as he would

the wayward ewes, delved their tongues for magic

as he sheared their fleecy wings. As he moved

further from the light, the fading day passed

through them, their voices sweet as mead.

Air cracked like hazelnuts between their fingers.

The sky had ceased to breathe.

 

 

Reading the Leaves

 

She was the local gossip; a twattle-basket across

the garden fence. Curtain-twitcher, petulant,

 

fierce as a sigewif, the cockles of her heart

were hard shelled mussels, impossible to crack.

 

Everyone knew she had second sight,

could read a dream, predict a sudden passing.

 

Sunday tea each week at five. Crockery rocking

on the table, crumbs and judgements flying

 

from her mouth like angry bees as she piled

our plates with cake, buttercream sweet as caudle.

 

In those days our fortune rested, not on tombola

or Spot the Ball, but on the alphabet of leaves

 

in an upturned cup; the drawn pot warm,

full-bellied, with its cargo of oracles.

 

In her delicate slipware, a prosperous life,

unexpected windfalls, the shape of a future

 

husband silhouetted faintly in the dregs.

For others, disappointment. The cat that told

 

of treachery, a candle for worry or ill health,

a broken dish for loss. As my grandmother,

 

soothsayer, warrior queen, measured out

retribution in a teaspoon of sugary lies.

Kathy Miles was born in Liverpool and now lives in West Wales.

 

Her third poetry collection, 'Gardening with Deer', was published by Cinnamon Press in 2016, and a pamphlet, 'Inside the Animal House', by Rack Press in 2018. Her poetry appears widely in magazines and anthologies, and she is a previous winner of the Second Light, Welsh Poetry and Wells Festival competitions, as well as the Bridport Prize.

 

A co-editor of 'The Lampeter Review', Kathy is a frequent reader at literary events.

 

The Bone Merchant

 

Weekly he came, louche as a sin-eater,

his tongue loose with the scavenge of gossip

and rags. His mare fractious at the harness,

easing herself out of her ancient frame.

At his call, our mothers flocked from doors,

arms full of tattered clothes, the rattle of tin,

chipped pots, a chine of Sunday roast.

He piled these meagre wages on the cart,

clopped off across the cobbles. I imagined him

coming to collect our ribs, patellas,

shoulder-blades, siphoning off our marrow

as we slept. Shaping them to clones of us,

who'd walk round in their borrowed skeletons,

a dream of rag-and-bone men in their eyes.

 

 

Unmoored

 

An unexpected southerly; joists creak,

wood licked by salt-wind flexing its muscle.

 

I wait for sheets to unfurl from the bed,

for the duvet to become a racing jib,

 

the house go sailing down the lane.

Voices creep from the grain; not ghosts,

 

but insects chattering about the weather,

hoisting on oilskins and battening down.

 

The owl flattens itself against a trunk

as air is pressed out like an old accordion

 

and light launches a thousand ships

with your face at the helm. You navigate

 

our course with pen and compass,

a chart I cannot fathom. The house bucks

 

in a sudden gust, hesitates a moment,

but kicks her mooring, turns her keel to leeward,

 

as you unhitch the ropes, weigh anchor;

set us adrift from our foundations.

 

 

Shifts

 

Here, evening is taking up the slack; already

swallows fidget on the wire, tetchy as fractious children

 

in a queue. And I saw you shift this summer,

your cheekbones harvesting the shadows.

 

Your heart a dragnet, drawn by its inconstant beat,

blood surging like a slow bore along the silted channels.

 

Now I'm trawling your horizons, searching

for a change in pressure, watching for the constants.

 

I see how your drift, silent as the tides' ebb, ruffles

the weight of air. Each night I listen for your breath

 

as your lungs cast out their line, over and over,

and I wait for the moment there's that gentle tug –

 

at first, just the hint of a catch – and then the long

tight pull of it, as you are reeled in, flounder.

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